Foster's discussion
of violence in chapter eleven is similar to his discussion of meals in chapter
two. He emphasizes the fact that both events occur in literature for a given
purpose. Violence is an intimate act between humans, as is sharing a meal with
someone.
Previously, I had not
considered violence to be a symbolic aspect of a story, but rather just a way
for author’s to entertain and interest their readers. Violence is used to
ignite certain feelings within readers, whether it’s sympathy for an innocent
character, or relief for an evil character’s death. As I have seen in many
movies, violence is also used to assert the agility and strength of a certain
character.
On the surface,
violence can seem unimportant, even accidental, but one must look deeper to
truly understand the lessons an author is trying to teach us. In a well-known
story called “The Boy in the Stripped Pajamas”, the death of the protagonist
symbolizes the unreasonable cruelty of the Holocaust. Set during World War II,
a German boy becomes friends with a Jew, and their friendship results in the
death of both characters. The boy’s father, a radical Nazi, discovers his son
has faced the same fate as the Jews he is mercilessly killing. This discovery
causes him to see their killings with a fresh pair of eyes.
The popularity of
violence is a continued debate especially with the recent controversies over
gun control. The main question is: does violence in entertainment, literature,
and video games make people more violent in the real world? The answer remains
ambiguous, but one thing is clear: violence sells. Currently, the most popular
video game franchise is “Call of Duty”, where killing is the main goal. The adrenaline rush and power that is felt
from violence is definitely a contributing factor to its popularity. I suppose
it’s the feeling of power that attracts people to violent video games, a power
that cannot be felt in the real world without serious consequences.
If people saw the
true meaning of violence in literature, it would not be viewed as a negative
affect on humanity. Most people who lack a trained literary mind see it as
fascinating entertainment without a real purpose. To truly understand violence
in a literary sense, we must consider violent acts as beyond the physical. Violence
in literature functions at different levels, is perpetuated by different
motivations, and is experienced in a variety of ways.
Violence is even
portrayed in fairy tales. The first editions of stories such as “Little Red
Riding Hood” and “Sleeping Beauty “ were originally targeted at a more mature
audience. The stories described scenes of murder in detail, but were altered to
appeal to a younger audience. The originally violent nature of children’s fairy
tales is shocking to me. The modern day versions of these stories seem so
innocent. The affects of violence in entertainment and literature are
continually debated. Violence is a symbolic and important part of literature,
but should be used in moderation. However, one cannot argue against the common
need for violence in order to enhance a story.
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